Metaphorically speaking, the handwriting is on
the wall for the dying art known as penmanship.
The cursive inkwell has run dry in the age of texting and Twitter. After all, the flowing curves and fancy loops of cursive writing is
horse-and-buggy communication in our instant
Internet world. Today we barely have time for complete sentences let alone words written using the Palmer Method.
There is an absence of big-line writing paper
among the homework stuffed in our daughter’s
backpack. My formative homework years — and
school locker bottoms — were filled with reams of the solid blue- and red-dash line stuff. It was upon this paper that my handwriting
transformed from printed scrawl to script rivaling John Hancock’s, well, John
Then again, big-lined writing paper might be as arcane as penmanship in a national education system that pushes standardized
testing, not whether a capital letter D has a little forelock.
Handwriting was essential for previous generations, from love letters to battle
orders. There was italic, starting in the 15th century and then in the 17th century came round hand. In the late 1880s, Austin Norman
Palmer devised a penmanship method that became
the hand-cramping bane of school kids.
Today the pains of perfect penmanship have been replaced with sore texting thumbs.
Not to wax nostalgic about lowercase q’s but handwriting is distinctive; like a voice or laugh. Your personal script style says a lot
about you — the way you cross your t’s or dot i’s with smiley faces.
There is an aesthetic beauty to the sinuous letters of the cursive alphabet.
It’s doubtful that my daughter could read saved postcards filled with her great-grandmother’s slanted cursive. First I might have to explain postcards.
Ironically, you can actually buy fonts online that emulate the handwriting of famous serial killers. Somehow I don’t think the Zodiac
killer would have terrified California by signing off emails with emo-icons.